October 2010
15 posts
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“he was always alone, always by himself. never anyone to share the game. he lived...”
– spike, cowboy bebop: knockin’ on heaven’s door
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session#26 - the real folk blues (part II)
(the cemetery. julia is pointing her gun at spike.)
julia: it was raining that day as well...
spike: you didn't come because of the rain?
julia: i was supposed to kill you. that day if i had killed you i would have been free.
spike: so why didn't you? why did you choose to be pursued?
julia: why did you love me?
(julia puts down the gun and embraces spike.)
julia: let's just run away somewhere. truly escape from this world and go where no one else is... just the two of us...
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December 2009
5 posts
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session#05 - ballad of fallen angels
vicious: spike. do you know what your face looks like right now?
spike: what?
vicious: the same blood runs in you and me. the blood of a beast who wanders, desiring the blood of others.
spike: i've bled all of that blood away.
vicious: then why are you still alive?
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“good morning, me. did you sleep well? and did you wake up well? does the light...”
– young faye valentine, session #18 - speak like a child
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emily bindiger - adieu
been a fool, been a clown...
November 2009
14 posts
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behind the bebop
Murder, Mars and All That Jazz. Cowboy Bebop is Hitting the Big Screen, and “Cool” Will Never be the Same. by Robert Bricken Fuse the most authentic sci-fi future with a Jazz-era hip your elders bowed down to, and you have today’s hottest kind of cool. You have Cowboy Bebop. In one of the classiest anime series to be brought to America, four bounty hunters cruise aboard the...
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keanu reeves talks cowboy bebop script rewrites,... →
notícia meio antiga, mas ainda vale.
rachel weisz como faye?! TERRENCE HOWARD COMO JET?! WTF? pelo jeito vão chamar a dakota fanning pra fazer a ed.
sou só eu que tô com um PUTA MEDO desse filme sair uma merda total?
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菅野よう子 - butterfly
you’re a love song only...
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October 2009
22 posts
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last, but not less.
ARE YOU LIVING
IN THE REAL WORLD?
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“back then, when i got home from work, you always waited for me… that was...”
– jet black, session#10 - ganymede elegy
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session#8 - waltz for venus
(the shuttle in the desert. spike and stella sit with a kettle of tea).
stella: you know, it's all because of those floating plants. sometimes they send spores that look like snow. most people are fine, but my body isn't... and my eyes...
spike: isn't it inconvenient?
stella: no. it's not a big deal once you get used to it. besides, sometimes you understand more when you can't see.
spike: you'll get better, right?
stella: if i put money into it. i don't mind staying as is... but roco...
spike: he cares about his little sister.
(stella takes a music box from the shelf).
stella: roco sent me this yesterday.
(spike opens it).
stella: everyone says bad things about him... and he seems to hang out with some bad people... but roco is a good person.
spike: i might be one of those bad people he hangs out with.
stella: maybe. maybe you are. but you're different. i can tell. both you and roco have something beautiful deep in you. it's hard to tell but it's there. i can see it... that's why I'm offering you tea like this.
(spike inspects the music box and finds a package of seeds. he puts the box down).
spike: something beautiful, huh? i probably lost that long, long ago...
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session#10 - ganymede elegy
faye: you're totally wrong if you think your old woman still thinks about you.
spike: you're totally wrong yourself if you think every other woman thinks like you.
(...)
faye: really, men are hopeless romantics.
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once upon a time,
in new york city in 1941… at this club open to all comers to play, night after night, at a club named “minton’s play house” in harlem, they play jazz sessions competing with each other. young jazz men with a new sense are gathering. at last they created a new genre itself. they are sick and tired of the conventional fixed style jazz. they’re eager to play jazz more...
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tulivu-donna cumberbatch - the singing sea
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